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- <text id=90TT1247>
- <title>
- May 14, 1990: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- May 14, 1990 Sakharov Memoirs
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 14
- </hdr>
- <body>
- <p>BOOKS
- </p>
- <p> WORDS ON THE PAGE, THE WORLD IN YOUR HANDS. Three volumes
- edited by Catherine Lipkin and Virginia Solotaroff (Harper &
- Row; $14.95 each). Some 25 million adult Americans cannot read
- even product-identification labels or street signs; 35 million
- more are vocationally handicapped by inadequate reading skills.
- The problem is embarrassing, but trying to improve reading
- proficiency from books suited for children can also be
- humiliating. Deciding that writing "to" rather than "down to"
- their students was a better approach, editors Lipkin and
- Solotaroff sought and received literary contributions from a
- range of successful novelists, story writers and poets,
- including Garrison Keillor, Russell Banks, Joyce Carol Oates
- and Nikki Giovanni. The result is a breakthrough in adult
- education: accessible poetry and prose that engage men and
- women with style and mature themes.
- </p>
- <p> THE WORST YEARS OF OUR LIVES: IRREVERENT NOTES FROM A DECADE
- OF GREED by Barbara Ehrenreich (Pantheon; $19.95). The populist
- essayist leads a neoliberal charge against the '80s with some
- witty Reagan bashing, yuppie demolishing, corporation crunching
- and hearty swipes at a time when a clever few made so much at
- the expense of so many.
- </p>
- <p> FLASHBACKS: ON RETURNING TO VIETNAM by Morley Safer (Random
- House; $18.95). Visiting old battlegrounds and interviewing old
- soldiers, the veteran CBS correspondent reminds us of a time
- when the typewriter, not the portable hair dryer, was the
- essential tool of the TV journalist.
- </p>
- <p>ART
- </p>
- <p> ALBERT PINKHAM RYDER, National Museum of American Art,
- Washington. Ryder (1847-1917) was a familiar type--the
- unwashed, eccentric recluse--but his small, shadowy paintings
- are unlike anything seen before or since: elegiac, visionary,
- haunting. Through July 29.
- </p>
- <p> JOHN BALDESARRI, Museum of Contemporary Art, Los Angeles.
- Paint, photos, movie stills, magazine clips and printed words
- come together cryptically in the work of this Los Angeles-based
- conceptual artist who, at 58, is savoring a belated success.
- Through June 17.
- </p>
- <p>THEATER
- </p>
- <p> HAMLET. Kevin Kline's 1986 performance of the actor's Mount
- Everest was romantic, comedic and gloriously literate. This
- time he not only stars in but also directs a much anticipated
- off-Broadway staging.
- </p>
- <p> WHAT A MAN WEIGHS. Sherry Kramer's astringent off-Broadway
- play starts out as blunt, confrontational feminism, but its
- view of sexual politics becomes more and more complex, funny
- and biting.
- </p>
- <p> KING LEAR. Hal Holbrook is the ousted monarch at Cleveland's
- Great Lakes Theater Festival.
- </p>
- <p>TELEVISION
- </p>
- <p> HAPPY BIRTHDAY, BUGS: 50 LOONEY YEARS (CBS, May 9, 8 p.m.
- EDT). And he's never been more popular. Among the celebrators:
- Bill Cosby, Mary Hart, Hulk Hogan and Porky Pig.
- </p>
- <p> IN LIVING COLOR (Fox, Saturdays, 9 p.m. EDT). Keenen Ivory
- Wayans (I'm Gonna Git You Sucka) created and stars in this
- weekly satirical revue with a black spin. The impersonations
- (Arsenio Hall, Mike Tyson) are dead on, the laughs abundant.
- TV's brightest new spring comedy, by a mile.
- </p>
- <p> PEOPLE LIKE US (NBC, May 13, 14, 9 p.m. EDT). A journalist
- (Ben Gazzara) seeks to avenge the murder of his daughter in a
- two-part movie based on Dominick Dunne's best seller.
- </p>
- <p>MUSIC
- </p>
- <p> THE BLUE NILE: HATS (A&M). A trio of ethereally rocking
- Scotsmen, the Blue Nile weaves a sound mosaic that is part
- sci-fi parable and part Arcadian fantasy. Gentle, uninsistent
- and insinuating, a single listen to The Downtown Lights could
- convert anyone this side of an Aerosmith fan to full-fledged
- Nile fever.
- </p>
- <p> BUSONI: PIANO CONCERTO (Telarc). A bit grandiose but truly
- grand, with Christoph von Dohnanyi and the Cleveland Orchestra
- and spearheaded by Garrick Ohlsson's heroic playing of the
- difficult piano part in this rarely performed 1904 concerto.
- </p>
- <p> BILL COSBY: WHERE YOU LAY YOUR HEAD (Verve). Jazz buff and
- drummer manque, the Cos directs an assortment of talented
- sidemen in five numbers written by Cosby and his longtime
- musical collaborator, Stu Gardner. The material is mainstream,
- mostly danceable, occasionally overcalculated--sounding more
- like a jazz score than the real thing. This is the first in a
- projected series of Cosby-produced jazz recordings. Give the
- man B for a good beginning.
- </p>
- <p>MOVIES
- </p>
- <p> Q&A. Mike Brennan (Nick Nolte) is a good cop. He is also a
- murderer and a racist--but then, in this study of New York's
- finest, who isn't? Director Sidney Lumet creates an atmosphere
- of relentless, compelling viciousness, where cops and crooks
- have the same dirt under their nails--and on their tongues.
- </p>
- <p> TEENAGE MUTANT NINJA TURTLES. In just six weeks, $100
- million worth of movie-goers have seen this live-action version
- of the TV cartoon. Were any of them adults? If so, they have
- seen a dark, plodding melodrama only rarely leavened by wit or
- derring-do. Heroes on the half shell; hit film on the hard
- sell.
- </p>
- <p>Compiled by Andrea Sachs.
- </p>
-
- </body>
- </article>
- </text>
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